Showing posts with label Bollywood Movies. Show all posts
Showing posts with label Bollywood Movies. Show all posts

Berlin

 

Berlin

Movie



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Director: Atul Sabharwal
Writer: Atul Sabharwal
Stars: Ishwak Singh. Kabir Bedi. Rahul Bose


Critic's Rating: 4.0/5
Story:  Set in 1993 in New Delhi, Berlin is about a deaf-mute young man arrested as a suspected spy and murderer. A sign language expert is called in to help but soon finds himself caught up in a dangerous and complex web of espionage. With rival agencies and other hidden forces at play, a twist turns the case on its head: is the real spy hiding in plain sight?

Review: What makes a good spy? Jagdish Sondhi (Rahul Bose), the head of the Soviet Desk at the intelligence agency called Bureau, believes it’s sharp vision, hearing, and fit body. Yet, a scrawny and deaf-mute Ashok Kumar (Ishwak Singh) is suspected of being a German spy involved in a murder and an assassination conspiracy during Russian President Boris Yeltsin’s Indian visit in 1993. Pushkin Verma (Aparshakti Khurana), a teacher at a school for the deaf and mute, is appointed to interrogate Ashok. However, as the former delves deeper into the case, he discovers the shadowy truth about spies, bureaucracy, and politics as his ideas of nationalism change.
The thriller’s refreshing aspect is its authentic story, departing from the India-neighbourhood rivalry trope. Instead, it opts for a more nuanced exploration of internal politics, one-upmanship between intelligence agencies (Wing and Bureau), and what power dynamics can do to unsuspecting bystanders.

The A-team of writer-director Atul Sabharwal, editor Irene Dhar Malik, cinematographer Shreedutta Namjoshi, composer Krishna Kumar, and sound designer Anthony Ruban crafts a high-stakes game of espionage that will keep you on the edge of your seats throughout. The clever narrative is about the business of information trading and how the hearing and speech impaired are used as ‘walls’ between these ‘businessmen’ at a coffee house called Berlin. The title also alludes to the collapse of the Berlin Wall shortly before the movie’s setting
Ishwak Singh shines as he conveys emotions through his eyes and body language. Aparshakti Khurana is equally impressive as a simple teacher caught in the crossfire, bringing empathy and a quest for truth to the narrative. As both actors deliver brilliant character arcs, their understated connection is heartwarming and heartbreaking. Rahul Bose is impressive as a suave, wily, and sharp agent — he may not know the sign language, but Pushkin and Ishwak cannot fool him.








Sector 36

 

Sector 36

2024 ‧ Thriller/Drama



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Director: Aditya Nimbalkar
Writer: Bodhayan Roychaudhury
Stars: Vikrant Massey. Deepak Dobriyal. Akash Khurana


Critic's Rating: 3.5/5Story: Inspired by true events, the film delves into the mysterious disappearance of children from a local slum, following a police officer's intense investigation into a series of sinister crimes. Review: Can a film capture the horror of one of India's most gruesome crimes while still engaging its audience? Sector 36 attempts to do just that. This 123-minute film is a gripping crime thriller, loosely inspired by the Nithari serial killings of Noida (2005). With creative twists, the film revisits this harrowing story, offering a chilling and relentless narrative that’s not for the faint of heart. If crime thrillers are your genre, this film won't disappoint.
The film opens with a deeply unsettling scene where Prem (Vikrant Massey), a seemingly ordinary caretaker in Sector 36, Delhi, brutally dismembers a girl's body. On the surface, Prem appears to be a devoted family man, with a routine that includes watching 'Sab Banenge Crorepati' religiously. However, his dark side is revealed as he derives pleasure from murdering teenagers. As the cases of missing teenagers pile up, Inspector Ram Charan Pandey (Deepak Dobriyal) takes charge of the investigation.

Aditya Nimbalkar, in his directorial debut, delivers a provocative portrayal of the harsh realities and systemic issues in the quest for justice. The film sets a grim tone from the start, portraying Prem's descent into madness while underscoring themes of social inequality. The glimpses into Prem’s troubled past are well-conveyed, but they do little to evoke empathy for his character. Despite the compelling storyline by Bodhayan Roychaudhury, the film struggles to match the emotional intensity of the real-life events it draws inspiration from.

Yudhra

 



Yudhra

2024 ‧ Action/Thriller


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Director: Ravi Udyawar
Writers: Farhan Akhtar. Akshat Ghildial. Shridhar Raghavan
Stars: Malavika Mohanan. Raghav Juyal. Siddhant Chaturvedi


Critic's Rating: 3.0/5
Synopsis: A tragic past turns Yudhra (Siddhant Chaturvedi) into an eccentric young man with anger issues. He finds momentary solace in childhood sweetheart, Nikhat (Malavika Mohanan) but gets embroiled in the criminal activities of a drug cartel that leads him to a shocking truth.


Review: Siddhant Chaturvedi (as Yudhra) amps up his inner MC Sher to portray a hothead battling daddy issues and strange love for lizards. He gets triggered at the drop of a hat but has his heart in the right place. As an out-and-out mercurial action hero, he pulls off the angry young man with a twist convincingly despite his innocent baby face. He may not look menacing but packs a punch.

Yudhra finds ruthless adversaries in drug lord Firoz (Raj Arjun) and his son Shafiq (Raghav Juyal). The former hams a bit but Raghav has quickly emerged as one of the most interesting antagonists in recent times. On the heels of violent action thriller ‘Kill’ comes yet another striking performance from the dancer-turned-actor who knows how to play the freak. Ram Kapoor plays a suspicious cop and Gajraj Rao, Yudhra’s father.
The cutting-edge action serves as the film’s backbone and its biggest asset. The music store sequence featuring Malavika, Siddhant and Raghav is one of the finest action scenes in a Bollywood movie. The bicycle parkour scene is nerve-racking too. Action director Nick Powell, known for his work in Gladiator, has worked on the movie and the action choreography keeps you on tenterhooks for a reason. It is intense, gripping and integral to storytelling. The film is technically sound. You appreciate the neurotic world building and the unique background score, but the story lacks emotional heft.

Though the posters may mislead you into believing that this is an old school crime drama (belonging to the Vaastav era), Yudhra is far from that. It is contemporary in nature. You wish it had the compelling structure of its predecessors where the angry young man had a cause to rebel. Even with aimless anger, a film can find its footing and Yudhra shows ample promise but doesn’t quite capitalize on its intentional sankiness (insanity). The first half builds momentum and creates an anticipation of a solid twist, but the second half douses its own fire before things could get all heated. The film never reaches the tipping point despite showing promise and that’s frustrating.


Director Ravi Udyawar uses action and violence as cinematic language to give you that rage room effect. The style and stunts are on point, but the story meanders. Characters are skillfully created, and their swagger ensures there’s not a single dull moment. Siddhant and Malavika look great but lack the chemistry required to establish their connect.


Munjya


Munjya

2024 ‧ Horror/Comedy



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Director: Aditya Sarpotdar
Writer: Niren Bhatt. Yogesh Chandekar. Tushar 
               Ajgaonkar
Stars: Sharvari. Abhay Verma. Mona Singh


Critic's Rating: 3.0/5
Story: When a young man visiting his ancestral village unwittingly unleashes a vengeful spirit, Munjya, he must save himself and his love interest from its clutches. This tryst with the childlike creature throws him into a hilarious and terrifying adventure.


Review: Director Aditya Sarpotdar’s horror comedy, inspired by Indian folklore, takes the viewer on an atmospheric adventure early on. The story unfolds in 1952 in the idyllic Konkan countryside, where young Gotya resorts to black magic to win an older girl Munni’s heart. However, he tragically loses his life as his attempt backfires. Since he dies within 10 days of his ‘munj’ (thread ceremony), he becomes a restless spirit, Munjya, trapped in a tree.

Fast-forward to the present, Munjya latches on to his descendant, Bittu (Abhay Verma), fixated on fulfilling his unfulfilled desire—to marry Munni and set his spirit free. However, in a turn of events, Munjya sets his sights on Bittu's love interest, Bela (Sharvari). A ride filled with laughter and horror follows as Bittu scrambles to save himself and Bela from Munjya's clutches. As the film’s story progresses, the comedy often dilutes the tension the horror elements build. The energy slips in the second half as the narrative prioritises goofy scenes such as spirits swapping, a self-proclaimed godman (S Sathyaraj) helping the protagonist, and so on.


Cinematographer Saurabh Goswami skilfully captures the beauty and eeriness of forests and ruins, while the light and shadow play and the occasional jump scares further amplify the mood. The film boasts a well-crafted Munjya (who may remind you of The Lord of the Rings's Gollum), brought to life through advanced CGI, but his spirit possessing other characters towards the end seems spoofy.

Abhay Verma delivers a delightful performance as Bittu, convincingly portraying the character's fear and excelling in comedic scenes. Sharvari complements him well as Bela. Supporting actors Mona Singh as Bittu's fiery Punjabi mother, Pammi, and S Sathyaraj as the quirky godman leave a lasting impression.